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Partial Transcript: This is an oral history interview with Nikky Finney being conducted by Linda Beattie for the Kentucky Writers Oral History Project.
Segment Synopsis: Finney discusses her background and her parents. She was born in Conway, South Carolina. The family moved to Sumter, South Carolina when Finney was a child.
Keywords: Conway (S.C.); Ernest Adolphus Finney; Frances Davenport Finney; Gullah; Sumter (S.C.)
Subjects: Families.; Genealogy; Sea Islands Creole dialect
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Partial Transcript: What was your own childhood like?
Segment Synopsis: Finney describes her childhood. She remembers being one of the first three children in her school during the first year of integration.
Keywords: Civil rights; Farms; Integration
Subjects: African Americans--Segregation; African Americans--Social conditions; Civil rights; Farms; Race discrimination; Segregation in education
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Partial Transcript: Did you, um, experience integration in the schools?
Segment Synopsis: Finney discusses racial integration, and her experience as one of the first three black students integrated into her middle schools.
Keywords: Communities; Integration; Sumter (S.C.)
Subjects: African Americans--Segregation; African Americans--Social conditions; Childhood; Communities; Race discrimination; Segregation in education.
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Partial Transcript: Um, do you remember when you first got interested--you talked about, um start--having a diary, started a diary at age ten.
Segment Synopsis: Finney talks about reading when she was young, and loving books. Books were a means of travel for a young Finney.
Keywords: Books; Hardy Boys; Libraries; Nancy Drew; Reading
Subjects: Childhood; Keene, Carolyn. Nancy Drew mystery stories; Libraries; Reading
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Partial Transcript: Um, do you remember teachers who were particularly influential or when English and writing emerged as, I assume, favorite subjects?
Segment Synopsis: Due to segregation, there were barriers to black Americans working in certain careers. Many of these talented people became teachers. Finney remembers great black English teachers as a young child. Later, after integration, there were also wonderful white English teachers.
Keywords: Integration
Subjects: African Americans--Segregation; African Americans--Social conditions; Childhood; Race discrimination; Segregation in education; Teachers; Teaching
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Partial Transcript: When did you think you would become a writer?
Segment Synopsis: Finney recalls being encouraged by her mother to write. The black arts movement was a great influence. She never wanted to be anything else other than a writer.
Keywords: Black Arts Movement; Don L. Lee; Gwendolyn Brooks; Harlem Renaissance; Langston Hughes; Nikki Giovanni; Sonia Sanchez
Subjects: Authors.; Black Arts movement; Brooks, Gwendolyn, 1917-2000; Giovanni, Nikki; Harlem Renaissance; Hughes, Langston, 1902-1967; Madhubuti, Haki R., 1942-; Sanchez, Sonia, 1934-; Writing
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Partial Transcript: Um, did you go to college right after high school?
Segment Synopsis: Finney wanted to attend a historically black school, as her parents had done, so she decided on Talladega College in Alabama.
Keywords: Basketball; Historically Black Colleges and Universities (HBCUs); Spelman College; Toni K. Bambara; Toni Morrison
Subjects: African American universities and colleges; Bambara, Toni Cade; Basketball; Education, Higher; Higher education; Morrison, Toni; Spelman College
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Partial Transcript: While you were in college did you get to meet any of the contemporary writers that--
Segment Synopsis: Finney recalls scheming to get Nikki Giovanni to read her poems. Giovanni read the poems and offered to help improve them. They are still in touch. Ruby Dee published one of Finney's poems.
Keywords: Creative writing
Subjects: Authors.; Creative writing; Dee, Ruby; Giovanni, Nikki; Talladega College; Writing
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Partial Transcript: So your publishing career has come about as, as most people would fantasize a publishing career would come about.
Segment Synopsis: Finney has continued to have her work published. Her publishing company, William Morrow and Company, lost her book, so that it was not reviewed.
Keywords: Eunice Redell (??); William Morrow
Subjects: Authors and publishers.; Authors.; Publishers and publishing.; William Morrow and Company; Writing
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Partial Transcript: I read somewhere that in the 1890s, as recently as that, ninety percent of the public school curriculum was poetry.
Segment Synopsis: Finney remembers memorizing poetry for school, and how this act of memorization helped Finney internalize rhythm and rhyme.
Keywords: Memorization; Poems
Subjects: Childhood; Education; Poetry
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Partial Transcript: Um, going back to, to your schooling for a minute, did you go to graduate school directly after college?
Segment Synopsis: Finney was very successful in her graduate school program, studying African American Studies. In the end, she was not permitted to write the thesis the way she wanted to write it, so she did not finish her degree, but left the college.
Keywords: African women writers; Creative writing
Subjects: African American studies; Atlanta University; Education, Higher; Higher education; Writing
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Partial Transcript: In fact, I lived in Atlanta, um, 'til the end of '85, and that was when I moved to California.
Segment Synopsis: Finney moved to Oakland, California and got a job in another Kinko's. In the meantime, her book was published. During this time, Finney was able to give readings at colleges.
Keywords: Creative writing
Subjects: Authors.; Kinko's (Firm); Oakland (Calif.); Publishers and publishing.; Writing
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Partial Transcript: Uh, did you ever encounter, uh, oh, uh, um, trying to think of the name of the, uh, Kentucky writer, it just went out of my head, uh, from New Haven, Fenton Johnson.
Segment Synopsis: Finney did not find another community of writers in California. Finney decided not to stay in California, and took a job as an instructor at the University of Kentucky.
Keywords: Percival Everett; Writers groups
Subjects: Education, Higher; Everett, Percival; Higher education; Teachers; University of Kentucky
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Partial Transcript: I came for one, for nine months as a visiting writer in 1989, totally terrified about teaching writing.
Segment Synopsis: Finney recalls being terrified in her first teaching experience. She finds that teaching is so powerful. Beattie and Finney talk about the part of writing that they have difficulty teaching to others. Writing comes naturally to each of them, and it is difficult for them to break down the process of what comes naturally. Finney feels that creative writing has to be taught using broad guidelines that allow for intellectual differences.
Keywords: Creative writing
Subjects: Education, Higher; Higher education; Teachers; Teaching
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Partial Transcript: Uh, do you have any idea yourself of what the notion, or, what, do you have any notion of what the, uh, uh--of what creativity itself might be?
Segment Synopsis: Finney thinks we all have creativity, and that it branches into a specific kind of creativity. Creativity will find a way out, even if it is oppressed somehow.
Keywords: Creativity
Subjects: Creative ability; Walker, Alice, 1944-
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Partial Transcript: Um, in your 1995 beautifully designed, I might say, book, "Rice," uh, it was published by Sister Vision, Black Women and Black Women of Color Press.
Segment Synopsis: Finney tells how she submitted her work to a small press. She chose five publishers to submit the work, and Sister Vision took on "Rice."
Keywords: "Rice"; Bernice Johnson Reagon; Sister Vision Educational Press
Subjects: Authors and publishers.; Authors.; Publishers and publishing.; Reagon, Bernice Johnson, 1942-; Writing
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Partial Transcript: The cover of the book, there is an artist in town, there is a sculptor by the name of LaVon Van Williams.
Segment Synopsis: Finney explains how she got the cover design for her book "Rice." Finney briefly sketches the historical link between rice and the black people imported to cultivate the rice.
Keywords: "Rice"; African slaves; Book covers; Slaves
Subjects: African Americans--Social conditions.; Rice; Slavery; South Carolina
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Partial Transcript: Um, I would say that sense of place plays a strong central role in your poetry, and that, and that that place is the geographical place of the South Carolina low country, as well as the genealogical place of your own family and racial heritage.
Segment Synopsis: Finney finds sense of place very important in her work. Kentucky has had a profound effect on her writing.
Keywords: Kentucky
Subjects: Authors.; Kentucky; Place attachment; Writing
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Partial Transcript: Um, what would you say distinguishes your poetry from any else's, or what do you most hope to achieve in your work?
Segment Synopsis: Finney does not know what distinguishes her work from others. She wants her poetry to communicate something her reader did not realize. She discusses her poetic vision.
Keywords: Audience; Poems
Subjects: Authors.; Poetry; Writing
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Partial Transcript: Uh, I know you've received grants from the Kentucky Foundation for Women and from the Kentucky Arts Council.
Segment Synopsis: Finney is grateful for the grants she received from the Kentucky Foundation for Women and the Kentucky Arts Council. The grants provided a way for Finney to live while she was writing "Rice."
Keywords: Kentucky Arts Council; Kentucky Foundation for Women
Subjects: Authors.; Writing
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Partial Transcript: Um, actually going back to that Appalachian discussion, I know you are a founding member of Affrilachian poets.
Segment Synopsis: Finney explains how she became involved in the Affrilachian poetry movement. She had been invited to participate in a Kentucky writer's conference, where Frank X. Walker was inspired to coin the term 'Affrilachian.'
Keywords: Affrilachian poets; Kentucky writers; Southern writers
Subjects: African Americans--Appalachian Region; Authors.; Norman, Gurney, 1937-; Walker, Frank X., 1961-; Writing
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Partial Transcript: What are your own work habits?
Segment Synopsis: Finney writes every day, including journals. She is both a night person and an early riser. Finney has picked up her longer work of fiction, and is back to working on that. She also discusses the editing process for the New Books for New Readers project. She has become interested in adult literacy.
Keywords: Adult literacy; Journals; Literacy students; New Books For New Readers
Subjects: Authors.; Diaries; Functional literacy.; Illiterate persons.; Writing
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Partial Transcript: And, and speaking of that, in terms of your identity as a writer, um, how important how important is it to you, do you think, or to your audience, that you be identified as a black writer, or as a woman writer, or as a black woman writer?
Segment Synopsis: Finney finds it extremely important that she be recognized for who she is. She feels that if someone does not recognize that she is a black woman writer, she is invisible. The differences are positive.
Keywords: African American women writers; Black women writers
Subjects: African American women; African Americans--Social conditions.; Authors.; Identity (Psychology); Women and literature.; Women, Black; Writing
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Partial Transcript: Um, where would you like to be and what would you like to be doing in a decade?
Segment Synopsis: Finney would like to return to the land sometime in the future. She talks about the importance of taking care of the land and a writer's responsibility to address tough issues.
Keywords: Farms; Future; Goals; Issues; Land; Limited resources; Natural resources; Nature; Passion; Responsibility; Students
Subjects: Authors.; Land use; Moral conditions; Writing
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Partial Transcript: Uh, what haven't we discussed that you think is important for people to know about you as a poet or as a person?
Segment Synopsis: Finney talks about some of her fellow writers who provide support, including the Affrilachian group as well as people like Wendell Berry and Bobbie Ann Mason, among others. She talks about the climate in Lexington in regard to art, and specifically Black artists.
Keywords: Affrilachian writers; African American artists; African American community; Audiences; Awareness; Black artists; Bobbie Ann Mason; Civil rights; Climate; Colleagues; Communities; Difficulties; Frank X. Walker; Gurney Norman; Help; Inspiring; Kentucky; Kentucky Writers Coalition; Lexington (Ky.); Support; Wendell Berry; Writers; Young writers
Subjects: African American authors.; Art.; Authors.; Writing