00:00:00WARREN: In what sense, uh, Mr. Baldwin, do you think the revolution
is a revolution? How would you allude to, uh, previous concepts of
revolution?
BALDWIN: Well that's a tough one to answer cause I'm not, not always
sure that the word revolution is, is the right word. I, I myself use
it because I don't know of any other. It's not in my mind anyway,
um, like, it's not as simple as a revolution of one class against
another for example. It is not as clear-cut let us say as the Algerian
revolution against the French. It is a very peculiar revolution
because it has to, in order to succeed at all, it has to have as its
aim the, uh, reestablishment of, of the union. And a great, a radical
00:01:00shift in the, um, in American mores, in American--in the American way
of life, you see, not only is it applying to the negro obviously but
it applies to every citizen in the country. This is, um, a very tall
order and, um, and desperately dangerous but, but inevitable in my,
in my view because, um, of the nature of our history, the nature of
Amer-, of the American negro's relationship to the rest of the country
of all these generations and the attitudes the country's had toward him
which is simply now, always was but now has become overtly and, um, and
concretely intolerable.
WARREN: May I interrupt here for one moment? You say different from a
revolution like the Algerian which means a liquidation of a class of
a-, of another country's control--
00:02:00
BALDWIN: --well now--
WARREN: --of a, a regime--
BALDWIN: --of a regime.
WARREN: And also, not, not the liquidation of a class either, it's
something else that's involved.
BALDWIN: No. No. Because the Algerians and the French have very great
differences part--partly simply because the Algerians had a country
called Algeria which happened to be ruled by France and the aim of
the revolution there would have had to be to, to break the power of
the French.
WARREN: This old type of nationalistic revolution then.
BALDWIN: Yes. That's right. But this is not, it doesn't apply here
at all. Because this is indecent principle one nation, it's Americans
battling to get rid of an invader or to, um, or to even destroy a
class but, um, to liberate themselves and their children from, um,
from what precisely? From the, from the economic, economic and social
sanctions imposed on them traditionally because they were slaves here.
Now there's some concrete things involved in this I think. Now, I
think that, um, for example, if Washington had the energy to move to
00:03:00break the power of people like Senator Eastland and Senator Russell so
the negroes began to vote in the South we would have made a large step
forward. If negroes could vote in this city, we'd have a different
state. If we could get a different state in Mississippi, you could
begin to have a different country. I mean it's not as mystical or
as, um, or as fuzzy as people make it, make it seem. Um, it seems to
me that the South is ruled very largely still by an oligarchy, which
rules for its own benefit, and not only, not only oppresses negroes
and murders them but really imprisons and victimizes the bulk of the
white population.
WARREN: You said once in print that the Southern mob does not represent
the will of the Southern majority.
BALDWIN: Well I still feel that. I think that--
WARREN: --how would you discuss that?
BALDWIN: Well its mobs that fill the street, it seems to me, unless
00:04:00ones, unless ones prepared to say that the South is populated entirely
by monsters, which I'm not. Those mobs that fill the street are a
reflection I think of the terror that all that everybody feels at least
on the, on the lowest level. And those mobs that fill the street have
been, uh, used by the American economy for generations to keep the negro
in its place. In fact, they have done the Americans, North and South
by the way, dirty work for him. And they've always been encouraged to
do it. They--no one has ever even given him any hint that it was wrong
and of course they are now completely bewildered. And, and, um.
WARREN: The mob?
BALDWIN: The mob, yes. And can only react in one way, which is, which
is through violence and the same way that, that an Alabama sheriff
facing a negro student knows he's in danger, doesn't know what the
danger is and all, all he can do is beat him over the head or cattle
prod him, he doesn't know what else to do--
WARREN: --may I interrupt and make one test here to make sure we're--
[Pause in recording.]
WARREN: All revolutions of the ordinary historical type have depended on
00:05:00say the driving force of hope and the driving force of hate. They're
going somewhere and they are mobilizing, they're rattling against
something I suppose you could put it this way. Other things may be
involved but those things. Now, when this is directed against a regime
to be liquidated, it's one thing; when it's inside of a system, which
must be reordered but not destroyed, maybe vastly reordered.
BALDWIN: Um-hm.
WARREN: Then the hope hate ratio might change. I think how the hate is
accommodated in a case like that, this kind of a, quote, "revolution."
BALDWIN: Well the American negro has had to accommodate a vast amount of
hatred for-- since he's been here. And, um, that was a terrible school
00:06:00to go through. I think though that, um, so far and in this context
operates to, um, operates to control what hatred, what such hatred as
there is. I don't--I myself am accused of hating all white people and
saying that all negroes do. I myself don't feel that so much as I feel
a bitterness and a--
[Tape interruption.]
BALDWIN: --um, one's been too involved to hate anybody whom you've
raised. You can despise him. You know, you can, uh, you have a great
complex of feelings about them and you may, you may even have given
moments when you want to kill them. But it wouldn't come under the
heading for me of the hatred the Algerians felt for the French, which
is, obviously on one level certainly much, much less complicated to a
Frenchman is simply a Frenchman. But here it's your brothers and your
sisters, whether or not they know that they are your brothers and your
sisters. And that complicates it. It complicates it so much that
00:07:00I can't possibly myself quite see my way through this. Um, as for
the hope, that is fuzzy too. Hope for what? You know the best people
involved in this revolution certainly don't hope to become what most,
what the bulk of Americans have become. So the hope again then has to
be to create a new nation under intolerable circumstances and in very
little time, and against the resistance of most of the country.
WARREN: You mean the hope is not to simply move into, uh, white middle
class values. Is that it?
BALDWIN: Well even if that were the hope, it isn't as a matter of
fact, but even if that were the hope, it would not be possible. It
is simply not possible for the church for example to accept me into
it without becoming a different institution. I'd have to be deluded
not to realize that. And the church of course realizes it which is
why, you know, which is why it isn't about to change. What applies to
the church applies to politics, applies to every level of the national
life. In order to accommodate me, in order to, to overcome so many
00:08:00centuries of, of cruelty and bad faith and genocide and fear, simple
fear, all the, all the American institutions and all the American
values public and private will have to change. The Democratic Party
will have to become a different party for example.
WARREN: How do you envisage the result of a, this movement if
successful? What kind of a world do you envisage out of it (??)?
BALDWIN: Hm. Well, I envisage a world, which is almost impossible to
imagine in--in this country. But still a world in which ultimately
race would count for nothing. In which Americans simply, not so simply,
would grow up enough to recognize that, um, I don't threaten them.
Part of the problem here has nothing to do with race at all, it has to
00:09:00do with ignorance and it has to do with the culture (??) of youth.
WARREN: Undoubtedly, that's true. Maybe hold that though for a moment--
BALDWIN: --um-hm--
WARREN: --it's one of the points where other things intersect this.
BALDWIN: Yes.
WARREN: Some people say, like Oscar Handlin and other historians and
sociologists, that equality increases rather than diminishes the
tendency of ethnic groups to, uh, pull together, to, uh, to find
their--themselves as a group. That once the pressure of, of, uh,
discrimination has been lessened or removed, history so far in America
has been for the ethnic groups to coalesce rather than to dissolve.
BALDWIN: Well I'm not sure I agree with that and in any case in very
well, in very badly placed answer since, um, the American negro has
not experienced that particular transformation, you know, and, and
00:10:00the ethnic group in this context can only really refer to the American
negro because it cannot--
WARREN: --in this particular case--
BALDWIN: --it can't, it can't really apply to the Irish and not really
applying it to the Jew. It, uh, we are talking about the low man on
the American totem pole. The man on whose labor, this country, whose
free labor this country was built.
WARREN: And what about this though and this next connection (??). The
question lets speculate about for a moment. In the last few years
if we can believe that sales of bleaching creams and such things and
the avowed sentiments of many negroes, there is a movement toward an
acceptance of and a pride in negro identity--
BALDWIN: --um-hm--
WARREN: --as opposed to an older tendency to, uh, shift from that
center. Now, either an actual passing or by changing, uh, personality
00:11:00or appearance. This would seem to indicate something, wouldn't it?
BALDWIN: Yeah. What I, what I think it indicates is simply that um,
for the first time in, in American negro history or in American history
the American black man has not been at the mercy of the American white
man's image of him and this is because of Africa.
WARREN: Africa--
[Tape interruption.]
BALDWIN: --America because it has not been reached.
WARREN: It clearly has not been reached but the question of a tendency
or a will is more defined here.
BALDWIN: I think it, I really think it comes out of the fact that for
the first time in the memory of anybody living there are African States
in Africa, that the worst--the West was forced to deal with Africans on
a level of power. And that the image of, you know, the shiftless darky
and the, uh--all that jazz that you live so long was shattered and,
uh, and kids then, people had another image to turn to, which released
them. It's still by the way you know after all, um, very romantic
for an American negro to think of himself as an African. But it's,
um, it's a necessary, it's a necessary step in his--in the, in the
00:12:00recreation of his moral.
WARREN: In the matter of discussed a while ago by DuBois and many other
people since of the possible split in the psyche of the American negro,
and you have written something, something about it along this line.
The tendency to identify with the African culture or African mystique
or the mystique noir or to other, or, even the American negro culture
as opposed to American white culture.
BALDWIN: Um-hm.
WARREN: The tendency to pull in that direction as opposed to the
tendency to pull over and accept the, uh, Western European American
white tradition as another pull.
BALWIN: Um-hm.
WARREN: Using it against each other, uh, can be anyway for some people
they are--some people profess, uh, they are greatly troubled by
this. Do you feel this (??) is real for, for yourself or for your
observation?
BALDWIN: Well, how do I, how do I answer that? It, um--in my own case,
00:13:00for whatever, for whatever--you know, for whatever that means, it was
very hard for me to accept Western European values because they didn't
accept me. It was, um, any negro born in this country spends a great
deal of time trying to be accepted, trying to find a way to operate
within the culture and to, not to be made to suffer so much by it,
but nothing you do works. No matter how many showers you take, no
matter, no matter what you do. These western values simply do--simply
absolutely resist and reject you. So that inevitably at some point,
you know, you turn away from them or you re-examine them. I think
first you turn away and then perhaps you re-examine them. Because it
is something that slaves knew and the masters haven't found it out yet
but the slaves who, you know, who adopted that, that bloody cross did
know one thing, they knew the masters could not--those masters could
00:14:00not be Christians because Christians couldn't have treated them that
way. You know what I mean?
WARREN: Yeah.
BALDWIN: This, this rejection has been at the very heart of the, you
know, of the American negro Psyche from the beginning.
WARREN: Let's take the African side of it. You have written on that
along the way, and covering that conference in Paris--
BALDWIN: --right. Yeah. Yeah--
WARREN: --your piece about that. Shall I hold that while you light?
BALDWIN: Yes, all right. Thank you.
WARREN: Uh, that would imply a difficulty which you have written there
would imply a difficulty too in identifying, uh, with, uh, Africa--
[Tape interruption.]
BALDWIN: --what's got to be honest about that it's almost, it's not
impossible but at that, at that point certainly in my life and I think
that, I think for many people and until now it's, it's hard because
it's all been, it's all been buried. It's hard for that matter for
Africans who only, who only now are beginning to, um, emerge from
the long colonial night. So there's a sense in which you can say
00:15:00that Afri-- that the very word African, the very term is a European
invention. I'm not all convinced that the people in the villages
outside of the cities think of themselves as Africans, you know, and
after all it wasn't, it wasn't very long ago the Italians didn't think
of themselves as, as Italians.
WARREN: It's not the horizon in an African village. It's not the
horizon--
BALDWIN: Not yet. You know, it--it, I should think it would take, you
know, a couple of generations. And in the case of an American negro,
Africa, you know, which, which part of Africa? Which Africa would you
be thinking of? Are you thinking of Senegal or are you thinking of
St. Louis? Are you thinking of, uh, middle--of Freetown? And if you
are thinking of any of these, of any of these places what do you know
about them? And what, what is there that you can use? What is there
that you can contribute to? These are very grave questions. I don't
think that there is, you know, that there is, uh, the void is absolute
or that nothing, that no bridge can be, can be made. But I think it's,
we've been away from Africa for four hundred years and no power in the
heaven will allow me to find my way back. I can go back and maybe even
00:16:00function there but that will have to be on terms, which have yet to be
worked out.
WARREN: Richard Wright didn't find it very happy, did he?
BALDWIN: No, not at all. Not at all. I think Richard went there with
the wrong set of assumptions. But then, there's, there's no way not to
go there with the wrong set of assumptions. I did too in a way. You
know, not Richard's assumptions but--I didn't know--
WARREN: --what--excuse me.
BALDWIN: Go on. No, I just didn't know what I would find. And what I
found surprised me and I, I must say sort of gladdened me. But I still
would not be able to tell you exactly what it was. And still less
would be able to tell you what my, what my own relationship to it is.
WARREN: Do you remember what your assumptions were?
BALDWIN: No I--I guess I've blocked it out. I remember before I went I
did my best to, to discard whatever assumptions I might have had. Of
course, you never succeed in doing that, you know. I, I did realize
but I had realized it before, you know, that I was in some way very
00:17:00European because that was the way I had been in any, that's what I'd
been stained by, you know, and that there were, and that also I was a
puritan in the sense that, um, in a very serious sense. In the sense
that Africans are not, in the sense of--to being distrustful of the
flesh and the--and the celebration and, and of being afflicted with a
totally western kind of self-consciousness which I will always have.
I realize too that the reality of castration had been utmost in my
mind as it has been in the minds of almost any American negro male,
uh, since you realize--from the time I realized I was a male and this
has done something to my psyche no matter how I adjusted myself to it
or failed to adjust myself to it, it had been a reality for me in a
way that it had not been as far as I could tell for them. There were
great many differences in, but there were also great echoes, which were
more troubling and I didn't--because I couldn't, I found those harder
to read.
WARREN: You think the echoes came from actual cultural transmission or
00:18:00in some other way?
BALDWIN: That is--
WARREN: --or do you know?
BALDWIN: That is a blank.
WARREN: Or, could anyone know?
BALDWIN: I just don't--couldn't answer that. I saw girls on the streets
of Freetown and they had groceries on their heads and their babies on
their backs and they looked just like girls and walked just like girls
I knew on (??) Avenue. But I don't--I'm not capable of telling you
what this means. But maybe I'll find out one day, I'm going back.
WARREN: I've heard, um, young, youngish negroes from the North who've
gone to Mississippi or Alabama to work in voter registration--
BALDWIN: --um-hm--
WARREN: --or such things, say that the salvation is in meeting the
purity of expression, the purity of feeling in some poor half literate
or cotton picker, you see, who has, uh, uh, come awake to his manhood.
00:19:00
BALDWIN: Oh, I would, I would tend to agree with that.
WARREN: This is, this is the source of real, of the real revelation.
BALDWIN: I think, I would, I would really agree with that. I've seen
in my own, you know, myself some extraordinary people coming just, just
coming out of some enormous darkness and there is something, there is
something indescribably moving and direct and, um, heroic about those
people. And that's where the hope in my mind lies, you know, much more
than in, um, I'd say someone like me who was, you know, much more, as
it were corrupted by the psychotic society in which we live.
WARREN: This impulse that you have and these people who we are speaking
of have is a very common one in many different circumstances though,
00:20:00isn't it?
BALDWIN: Yes, I know.
WARREN: You will find many white people, uh, and I use the word
romanticized now without prejudice--
BALDWIN: --um-hm. I know what you, I know what you mean--
WARREN: --about some simpler form of life.
BALDWIN: Actually, I don't think it's--
WARREN: --the white hunter you see in the-in the far west--
BALDWIN: --yeah--
WARREN: --or, or the American Indian or even turns toward the negro--
BALDWIN: --um-hm--
WARREN: --in that same romantic way.
BALDWIN: Or the worker.
WARREN: Or the worker. This is an impulse of many people who feel it
in a complication or feel--or live in a complicated world, which they
don't quite accept, don't want to accept turn to some simpler form
of reality.
BALDWIN: I'm not so sure it's simpler though. That's my real
reservation about it. I'm not convinced that some of those old ladies
and old men I talk to down there are, are-- I'm sure--I know they
aren't simple. They are far from simple. And what the emotional and
psychological makeup is which has allowed them to endure so long is
00:21:00something of a mystery to me. They are no more simple for example than
Medgar Evers was simple. You know, he was, um--
WARREN: --well he was apparently (??) very certainly a different cut
from you know the--
BALDWIN: -- (??) but Medgar, you know, there was something very rustic
about him, and um, and direct but obviously he was far from a simple
man. I think that is has something to do with, you know, what one
takes, I don't know, you know, there's something to do with what
one thinks the nature of reality is. And, and especially in this
country now. It's, um, it's very hard to read the riddle of the human
personality because we've had so little respect for it. And I think,
I think this complicates all our endeavors and all our relationships.
But I, I don't see--my, my own father who was certainly something
like those people was very far from being a simple man. It was simply
that I think that the nature of his complexity and the nature of the
complexity of those field workers in the deep South--
[Tape interruption.]
WARREN: --called or thought of as more or less corresponding white types.
BALDWIN: Um. Yes, you might. Now there I am under a shaky ground. I
00:22:00don't, I'm not equipped to say yes or no. But I would--
WARREN: --some of, some of the Southern--Southern white sharecroppers.
BALDWIN: Except that I have the feeling that the difference between the
Southern white sharecropper and a black one, speaking in terms of, now
to speak in, this is a generality obviously, but still I suspect that
the differences in the nature of their relationship to their own pain.
And I think that the white Southern sharecropper in the general way
in any case, would have a much harder time using his pain, using his
sorrow, putting himself in touch with it and using it to survive than a
black one. And there's a level of melancholy, and a level, even tragic
in negro experience, which is simply denied in white experience. I
think this makes a very great difference, a difference in authority, a
difference in growth, a difference in possibility. The one that is not
true of a negro in this, in this context in anyway, he is not forbidden
00:23:00as all white Southerners are, to assess his own beginnings. He may
find it for one reason or another impossible or dangerous or fatal
to do so. But a white Southerner I think, suffers from the fact that
his childhood, his early youth, you know, when, when his relationship
to black people is very different than it becomes later is sealed off
from him and he can never go back, he can never dig it up on pain of
destruction nearly. And I think this creates his torment and his, and
his paralysis.
WARREN: Do you see any chance of, um, an understanding between say the
Southern poor white and the poor Southern negro?
[Tape interruption.]
BALDWIN: depression have done nothing, have done nothing to, um, to
create that, nothing to defeat that is the bargain struck by the
reconstruction I suppose, you know. Which was used-- poor white used--
00:24:00
[Tape interruption.]
BALDWIN: --and I don't know, I don't know enough about that era to
discuss it in any detail but I know--I know to what you are referring.
But my point in any case is that they didn't. And now the situation
is more grim than ever. It would seem to me, to go back to what I said
earlier, that part of the answer to that problem that question would
really be to begin to break the power of a few men in the democratic
party.
WARREN: Some negroes in Mississippi and Alabama hold out hope for this,
for the understanding, for the rapprochement--
BALDWIN: --well, I think--
WARREN: --between (??) the Southern poor whites, the sharecropper type,
the, um, laborer and--and the poor negro.
BALDWIN: Well I don't see much hope for it as things are now because in
the first place the labor situation is--is the labor situation is too
complex and too shaky. The white--all--all workers in this country are
in terrible trouble.
00:25:00
WARREN: Not enough jobs to go around.
BALDWIN: Not enough jobs, that's right. And they are all vanishing
(??) jobs that there are. And this does not make for good relations
between, between workers as we all know. I really--I still--I
still insist on, you know, the fact that it really seems to me that
if Mississippi could be release---could be released from Senator
Eastland's grip, clutches then there might be much more hope for the
poor white. Who in effect is kept in prison by, by men like him.
WARREN: Let's switch for a moment to a matter of, of the general kind of
leadership in the negro revolution or whatever we settle on.
BALDWIN: Yeah.
WARREN: Almost always, I suppose always in successful movements, mass
movements in history you find a tendency toward greater and greater
centralization of leadership.
BALDWIN: Um-hm.
WARREN: The final demand, of the bureau behind him but demand. Is it a
00:26:00tendency in that direction now among negroes do you think? Do you see,
do you see a centralization, this process going on?
BALDWIN: No, I see a shaking down of something but I don't see anything
yet resembling what we can call a centralization, not according to me.
Part of the problem is that, um, the tactics of the old leadership
have had to rely very heavily, you know, on the, um, having defined
very heavily by the, um, by the white power structure. Put it another
way the, um, college president of, let's say forty years ago had to
deal with heads, had to deal with the state governor and with the
powers that be in a very different way than now because the, the
state is no longer able to do what it was able, since the Supreme
Court decision, let me put it this way, the college president does
00:27:00not have to go to, to the state to get a college dormitory because the
states are building college dormitories as fast as they can to keep
negroes out of white schools. Now that changes, that alone changes,
you know, the tactics and changes the, um, changes the whole picture.
Furthermore there have always been in this country two negro leaders,
one was--one you called a leader and one was mine, you know, the real
one who was always found--
[Tape interruption.]
WARREN: Well, we have, that's true. But taking things as of now, may
I try to reinterpret what you said? And if I'm wrong, um, stop me and
correct me. NAACP, uh, legal techniques defy (??) the old system.
BALDWIN: Yes, to a very large extent they have to be.
WARREN: Yes. Well, as legal they were establishing an illegal, uh,
reference. Wouldn't they have had to work in terms of law--
00:28:00
BALDWIN: --well, there's a limit even to that you see because some of
the laws to which you have to work--had to work were unjust and--and
unworkable.
WARREN: Well, their effort was to change this.
BALDWIN: I know but the point is, and indeed (??) I'm not in any sense
trying to condemn that but still it was very complex and, um, and this
enemy there was time. You know, time does pass and a man, a man has
only one life to live. And it was inevitable that these techniques, if
they were not, you know, swiftly successful and they couldn't be, would
have to fail before, you know, before the weight of human impatience.
Which no one after all, no one possibly can--no one possibly can
condemn. And what is happening now it seems to me is that for the
first time in the history of this struggle the poor negro has hit
the streets really. And it has changed the nature of the struggle
completely and, and according--
[Tape 1 ends, tape 2 begins.]
00:29:00
WARREN: Let's see, where were we? On the question of leadership and, uh,
the struggle for power--.
BALDWIN: I don't know if it's--I don't know if it's only a struggle of
power. I mean there are some figures--
WARREN: --not merely.
BALDWIN: Not merely, no. There are some figures in the movement or on
the periphery who press me as being opportunistic, you know. But, um,
I think the problem, I think the problem is more complex than that.
I think it's involved with the pressure of being brought to bear on,
on everybody by the people in the streets especially by the poor and
by the young so that one is always in a position of having to assess
very carefully ones, ones tactics, ones moves in terms of the, of the
popular desire because ones got to avoid yet another danger, which
is this, that If the people feel betrayed you've lowered their moral
and then nothing, and then you've opened the door on the holocaust.
00:30:00So there is some things that people have agreed to--the march on
Washington is a very good example. It was not the most popular thing,
you know, dreamed up. It was not dreamed up by the leaders as far as I
know at all. It was, um, it was brought off because nobody could call
it off. Nobody dared to call it off. It seemed to be guaranteeing,
you know, a series of race riots.
WARREN: How much was the idea based on the old "March on Washington
Movement" of, uh, A. Philip Randolph's?
BALDWIN: Of A. Philip Randolph's? Very heavily I think. You know, I was
not in on the, you know, I was not--I was hardly ever backstage on it
so I--but I, but I think it springs from that, that event or that board
of event, boarded event in the--in the forties. And it was a very
significant day, in that was, we say contained, and, but it was also a
turning point. I don't think that, I didn't think that, I thought that
and I, I still think that we will never get 250,000 people to come to
00:31:00Washington again because, um, to petition (??) grievances.
WARREN: How do you explain that?
BALDWIN: Well, I think that the negro in American has reached a point
of despair and disaffection, you know, and that people now talk about,
you know, certain techniques, techniques being used that's destroying
the good will of white people but nobody, nobody gives a damn any, any
longer about the good will of people whose good will has never been,
has never done anything to help you or to save you. Their ill will
can hardly do, can hardly do more harm than their good will is, than
their good will has. And this is a very significant, this is a very
significant, um, despair.
WARREN: Yet, you want to avoid the holocaust?
BALDWIN: Oh, indeed. We want to avoid the holocaust, but you see there
that does not really, that's not simply in the hands of negro leaders.
That's in the hands of the entire, that's in the hands of the, of the
entire country.
WARREN: It's not a one-way ticket.
BALDWIN: It's not a one-way ticket at all.
WARREN: No.
BALDWIN: If you have people up, up there filibustering about whether or
00:32:00not you are human then obviously you are going to have a, a reaction in
the streets.
WARREN: Clearly.
BALDWIN: You know. And Farmer and King and all those people are doing
everything they can, but they cannot do it alone. It is simply not
possible. To avoid, to avoid the holocaust one is going to have to
have some help. And very little help forthcoming.
WARREN: Do you distinguish, however, between what you might call
legitimate and illegitimate demonstration?
BALDWIN: Well, it's becoming increasingly harder to distinguish between
them, you know, I'm not--well, is a, is a demonstration in front of
the Florida Pavilion at the World's Fair legitimate or illegitimate? It
depends on the point of view; I think it's legitimate, you know.
WARREN: Well, let's say that I think so too as I do. We can distinguish
between a school boycott or a March on Washington on one side--
00:33:00
BALDWIN: --yeah, yeah--
WARREN: --or say an orderly demonstration inside the fairgrounds and a
stall-in, there's some distinction.
BALDWIN: (??) yes, there is. There is some distinction. This
distinction would have to be I think in terms of the--of the cloudier
purpose and the likelihood of achieving any, um, any um, one dare, one
dare not say concrete gains, there have been so few. But in terms of
pinpointing a specific, dramatizing a specific, specific thing--
WARREN: --that is they--
BALDWIN: --a specific issue.
WARREN: Whether there's a specific target or a specific issue--
BALDWIN: --that's right--yes, yes--
WARREN: --then it is, uh, (??) but when it is a random protest--
BALDWIN: --well, then I think it can do you vastly more harm than good--
WARREN: --a random protest, uh, which may carry grievous social
consequences.
BALDWIN: Yeah, well, of course, this entire revolution is going to carry
grievous social consequences. But--
WARREN: --for somebody, yes, that's always true.
BALDWIN: Yeah.
WARREN: A change is a, is a consequences.
BALDWIN: Yeah.
WARREN: What the question of the evidence what dodging down the street
00:34:00with a dying man is one thing as opposed to the consequences of
somebody having to, uh, re-, uh, refurbish a tenement.
BALDWIN: Yeah. Yeah.. Uh, that is one of those--that's an area in
which one simply has to play it literally by ear, you know. Uh, a
school boycott depends very much on where the school is. You know, it
depends on a whole complex of issues, and, of course, a school boycott
is designed as I see it, to dramatize the situation of the schools,
which is really not a situation in the schools but a situation in the
cities, you know. It's not only the school boards which are at fault,
though they are, but it is also the structure of our cities which has
created--which has created this dilemma. And that's why rent strikes,
the same thing, you know, on the face of when it's their right not to
pay the rent. On the other hand, the landlord has no right to keep
you, to keep you locked in the tenement and, you know, and to penalize
you in this way. And the only way to dramatize it is to, is to stop
paying the rent.
WARREN: What about a policy deliberately directed at getting a little
00:35:00bloodshed for the papers?
BALDWIN: I, I haven't really heard of this.
WARREN: Well I, I have heard of only one case. It's a (??) sitting--a
man has sat in such a meeting told me and the name of the person (??)
remember we've got to get a few heads broken here or we're going to
lose out.
BALDWIN: I never--it sounds very unrealistic to me since in the first
place the power of one getting heads broken doesn't seem to me to be a
problem at all. On the contrary.
WARREN: some places (??).
BALDWIN: I don't, I don't understand the nature of that--well, it's, you
know, obviously madly and criminally irresponsible. But, um, I haven't
myself come across that seriously suggested as a tactic yet.
WARREN: I have.
BALDWIN: You have?
WARREN: Just one case documented. At least I take, I take the word of
the man (??)--
BALDWIN: --no, I, I believe you. I believe you. It just seems insane
to me, but since, I--I repeat, it's just never been a problem to get
00:36:00your head broken.
WARREN: Yes, you don't have to--
BALDWIN: --no, you don't, you don't--
WARREN: --arrange it. (laughs)
BALDWIN: You don't got to arrange that. (laughs)
WARREN: Do you see the, uh, pattern building up that Congressman Powell
said to me was true the other day that the old organization is on the
way out--
BALDWIN: --well, the old organization is--
WARREN: --that they don't really count.
BALDWIN: Well, I'm not so sure, I'm not so sure they don't really
count. But they are certainly either on their way out or, you know,
in the process of radical changes and that's, this would, this would,
you wouldn't even have to be critical of them to realize this because
there's certain things that they will simply have to do if they are
going to remain in positions of responsibility or, or power, which they
never had to do before. The situation dictates it. So, and those that
cannot do that are, are on the way out, yes.
WARREN: You'll find an argument now and then such as this one I heard
from Dr. Aaron Henry in Mississippi that the NAACP approach has made
00:37:00it possible for a man to know his, his, well rights, given a definition
of his, of his rights.
BALDWIN: That seems a little simplistic to me but I see, I see what he's
saying. I think it--
WARREN: --their history giving him this sense.
BALDWIN: Yeah, well, I think there's more to it than that. I think
that--I think that's true. But I think there is more to it than that,
I think that the whole stream of American history in a way has done
that even though that, I don't-- even though it never intended to. And
the events of the last twenty years have done that too. And in terms
of the NAACP, it would seem to me that you'd have to, you'd have to be
talking about-- you'd have to be talking about which chapter, you know.
It would not apply to some chapters in the North it would seem to me.
WARREN: He was thinking the long-range effect, you see, of the, of the
various legal cases over thirty years.
BALDWIN: Well, this would apply, I think, more in the South than it
would in the North.
WARREN: More in the South (??)--
00:38:00
BALDWIN: --much more, much more in the South.
WARREN: I see.
BALDWIN: I think it's a very different organization in the South than it
is in the North.
WARREN: Do you follow the line of thought that, that Mrs. (??) Dr.
Kenneth Clark takes that the--Dr. King's method in the South has some
merit but is inapplicable in the North?
BALDWIN: Yes. I'm, I'm afraid I'm forced to agree with that. negroes
in the South still go to church some of them. And negroes in the
South, which is much more important, still have something resembling a
family around which you can build a great deal. But the Northern, the
Northern negro family has been fragmented for the last thirty years if
not longer. And once you haven't got a family then you have another
kind of despair, another kind of demoralization and Martin King can't
reach those people.
WARREN: But he doesn't know he can't reach them?
BALDWIN: Well, I think Martin does know it, you know. I think that,
um, he is determined to, um, he's determined--he can't abandon them on
the other hand either, you know. And it's not that his--it's not that
00:39:00his influence is absolutely, absolutely negligible; no, he is still a
national leader and, and an international figure.
WARREN: He can pack a hall in Bridgeport.
BALDWIN: Well, he can pack a hall in Bridgeport but it's very, you know,
I can--I've packed halls, too. It depends on what you are packing the
hall with.
WARREN: Yes. Yes.
BALDWIN: You know, the fact itself can mean a great many things.
WARREN: With well-dressed middle-class people is my observation in
Bridgeport.
BALDWIN: Yeah. Yes. But he can pack a hall of, you know, the boys in
the poolroom stay in the poolroom. And they're most--and they're more-
-it's more important to reach them, you know, to do something about
their morale, and I'm not, I'm not--by the way I'm not blaming Martin
for this; it's not his fault at all. But it, you know, to reach them
is really very difficult. Malcolm X can reach them. You know, those,
those kids are not Christians and it's very hard not to blame them for
not being Christians since there are so few in this Christian country.
WARREN: Let's take some specific, uh, episode like the school busing
00:40:00program in Harlem.
BALDWIN: Well, I don't know anybody who has a very clear notion of what
they think about that and I don't either. I have nieces and nephews
who were being bused for a while and some of them still are. And their
parents took the attitude that if the kid was willing to undergo this
then it was then maybe, you know, it was worth it. But no one, no one
thought that it would, it couldn't have any effect really since after
all those kids come back home.
WARREN: To the same house.
BALDWIN: To the same house. The white kids do and the black kids do.
And is--what happens in the school day is not going to make that
much difference. I think the problem is going to need be attacked on
another, on another deeper level, though I'm not an expert in these
matters.
WARREN: Well I don't--God knows I'm not. I have talked to several--some
people about it who know more than I do, like Dr. Clark for instance.
And then, and then I've talked to Dr.
(??), you know, Dotson. Dan Dotson and a few people like that who have,
00:41:00who have special interests and special concerns. There's a large group
that takes the view apparently that the busing, except in a limited
fashion is, is useless. If you have to go have a big crash program
of building schools as best you can and then and, and, uh, and let
integration follow rather than precede the process or at least be (??)--
BALDWIN: --yeah--
WARREN: --with it, but you can't make it as an arbitrary outside, uh,
outside criteria.
BALDWIN: Well, I would tend to agree with that but it gets to be a
vicious circle because it's not going to be any good to build schools
until you start building neighborhoods. And we've--we've seen New
York City neighborhoods being destroyed over the last twenty years
for money. We are in the hands of, you know, a gang of real estate,
gangsters. You know, and all the neighbor---there are no neighborhoods
in America--in New York anymore.
WARREN: True.
BALDWIN: And, and until you have neighborhoods I don't see what you can
do much--I don't see what there is--what you can do much about, about
schools. You see what I mean?
WARREN: Yes, I do. Yes, I do. Of course, there is the other proposal
of having the great school parks, which draw from all sorts of
00:42:00neighborhoods.
BALDWIN: Well, that's a more interesting proposal but it still does not
get to the root of the matter--
WARREN: --no, it doesn't--
BALDWIN: --which is why we allow the city to be--to be run this way.
WARREN: But meanwhile somebody has to do something.
BALDWIN: Ah. Yes, I quite agree. The problem there is, is what in
terms of schools. And I confess myself complete--almost completely
baffled by it. Um, limited busing school parks, yes but this, these
things it seems to me--it seems to me that sooner or later one has
to carry the battle straight into the real estate boards, real estate
boards and banks. cause that's where--that's where the trouble is.
WARREN: Well, let's agree on that. Uh, this is a peripheral question
but one that has some significance because people are ready to shed
blood on it. And, um, Mr. Galamison would say wreck the schools
00:43:00unless we get integration on my timetable immediately or almost
immediately. You know that statement?
BALDWIN: Um-hm. I know that statement.
WARREN: This, uh, is a sort of argument that makes say the busing a
symbol of a thousand other things.
BALDWIN: I know.
WARREN: Uh, this--make a symbolic solution rather than a real solution.
BALDWIN: Well, I'm opposed to symbolic solutions and I don't, I don't
know Reverend Galamison. I've never met him so I can't really--
WARREN: -- (??) I don't--
BALDWIN: --discuss his position.
WARREN: I'm just using it as an example; not as an attack on him.
BALDWIN: Yeah, yeah.
WARREN: I don't know him.
BALDWIN: But I don't see any point in trying to wreck a school system,
which is very nearly wrecked already in any case. Um, at least I
don't see any point in saying so. Well, I can only go back to what
I said--what I said before in the first place obviously. You know,
if you are going to try to be responsible in all this you can't say,
you may determine in your own mind but you can't say, you know, we'll
00:44:00have integration on my terms and at once or not at all because if you
are going to be realistic about it and you have to be, or have to try.
One's got to realize it will--it will take some time. The trick is
to get it started, you know. And then in this conduct especially ones
not going to get it started it seems to me by inflammatory statements
of that kind. When after all ones trying to save the children, if ones
trying to do anything. It does seem to me that one's got to, one's got
to sue for some real confrontation between the city and the schools.
Between the city, between the city that is and the--and the forces
of integration and that's where the problem is. I repeat it, that is
where the problem is.
WARREN: Well it would seem that is the root problem--
BALDWIN: --yeah--
WARREN: --but other things are involved.
BALDWIN: Other things are involved in that and the tactics I suppose one
has, one has to evolve but would have to have as their purpose to bring
about this confrontation. And that's a very delicate and incendiary
00:45:00matter.
WARREN: Or-- or a (??), uh, measures along the way.
BALDWIN: Well, (??) measures along the way are--are really probably
going to be doomed to failure. I think ones got to bring about the
confrontation . cause what (??)--what (??) measures in effect really
can the city, can anybody make, bring about in this situation?
WARREN: If I'm not mistaken, Dr. Clark is prepared--I don't want to be
certain of this--prepared to accept a period of non-integrated lower
grades because there's a massive difficulty, and aim for high school
integration, or for (??).
BALDWIN: Well, that seems, that would seem on the face of it, I have
not talked to, to Ken and I repeat I'm not an expert in it, but then I
could see why he would, why he would take that position and on the face
of it I would tend to agree, you know.
WARREN: On the face of it I would because the massive complications of,
of the option.
BALDWIN: Yes exactly, exactly. I think that there might be much more
hope in that. Still it's, still it's obviously a half measure.
00:46:00
WARREN: It clearly is but it doesn't half measure--
BALDWIN: --yeah, yeah, yeah.
WARREN: When do we--how do we get whole measures, you know?
BALDWIN: Well I think you probably get whole measures by--by dealing
with a great many half measures.
WARREN: That's the (??) technique though.
BALDWIN: Yeah, yeah.
WARREN: Do not call a half measure a whole measure in a sense
symbolically.
BALDWIN: Yeah. Yeah. Exactly, exactly.
WARREN: Well, we sound very wise on that point don't we?
BALDWIN: Yeah, my God. (laughs)
WARREN: (??) abstract.
BALDWIN: I think that, I think that Ken is right about that.
WARREN: I have a quotation here from, uh, Oscar Handlin's new book. May
I read it to you as if you can't read my writing?
BALDWIN: Um-hm.
WARREN: The general disillusionment, since '54, he's talking about,
well, you read his book [Fire] Bell in the Night?
BALDWIN: No, I haven't read it.
WARREN: Just about to come out, just out. The attention of negroes has
focused on one cause, segregation, and on one cure, integration. They
00:47:00have come to consider racial separateness the root of difficulty and
racial balance as a sole solution. In arriving at this conclusion,
they have, paradoxically enough, accepted the contention of their white
separatists, the white supremacists that there is really no difference
between the North and the South. As a result of this development,
the tactics of civil rights movements has shifted and racial balance
becomes a primary objective rather than, um, equality and justice.
That integration comes (??) rather than an element in a picture to
paraphrase some of the other things he said about it
BALDWIN: Well, this, it's not such, not such a recent development and
00:48:00long before 1954 I concluded and every, every negro I knew concluded,
it wasn't even a conclusion, it was taken as a fact of life. That
the difference between, the differences between the North and the
South were, were really (??) when the chips were down. That they had
different techniques of castrating you then than they had in the North
but the fact the castration remained exactly the same and that was
the intention in both places. And furthermore, it is impossible to be
separate but equal. It, um, because if you are equal then why must you
be separate? And it's the--it's that, it's that, it's issue of that--of
that doctrine which has created almost, almost all of the negro's
despair and also the country's despair. So I think that the instinct
to destroy that doctrine is quite sound.
00:49:00
WARREN: Separate but equal?
BALDWIN: Yes, that's right. It is, it's really an attack on the white
man's assumption that, um, he knows more about you than you do and that
he, and that he knows what's best for you. And that he can u--keep you
in your place for your own good and also for his own profit.
WARREN: Shifting ground a moment. The separate but equal or the white
man knowing best, of course you read, uh, Irving Howe's piece in
Dissent [Black Boys and Native Sons] about you and Ralph.
BALDWIN: No, I didn't; I was in rehearsal. But I, but I heard about it.
WARREN: (??) replies.
BALDWIN: No, I--I have them all in my desk and I haven't had time to
read any of them.
WARREN: I wish you had read about it, I'd like to ask you a little about
that. Ralph called in passing, Irving Howe, a Bilbo for thinking he
knew best, Ralph's place--
BALDWIN: --hmm. Hmm. Hmm. Well, I haven't read the pieces.
WARREN: I--I--I'm (??) asking you to comment because you haven't read
the pieces. But this had got that far along. The white man--
BALDWIN: --it got that--it got that heated--
WARREN: --the white man knowing best.
BALDWIN: Yeah. Well I think I can imagine some of the things that,
00:50:00that, you know. There's a tendency--I'm not, I'm not talking about
Irving Howe because I haven't read the piece, but there is a great
tendency on the part of a great many of the negro's friends, put it
that way unconsciously to and really, and really unconsciously. I
don't, you know, it's not meant--they don't mean to say the things they
say. But there is this unconscious assumption that somehow, you know,
if you don't fit into, if you don't take this road or do this or act
this way or feel this way that you have somehow, well, you've--betrayed
something. What you betrayed is an image of you. And then of course-
-and then, of course, when you--when the, when the black man realizes
that he's furious.
WARREN: That's exactly the point that's involved here. That you and
Ralph have betrayed, uh, Richard Wright. That's the point.
BALDWIN: That we betrayed Richard?
WARREN: Yes.
BALDWIN: How?
WARREN: Well, you want to be artists instead of keeping angry enough,
you know and--
BALDWIN: Ralph is as angry as anybody, you know, can be and still live
and so am I.
WARREN: Irving Howe put you and, you and Ralph in the same boat, because
you betrayed the trust you see. And--
00:51:00
BALDWIN: --well, who is Irving?
WARREN: I don't know.
BALDWIN: To tell us--(laughs)
WARREN: That's Ralph's point. (laughs) I mean, that's Ralph's point.
(??) back to the--to the Bilbo story.
BALDWIN: I myself don't feel that I've betrayed Richard. And I--and
I certainly don't feel that Ralph has. First, I don't know how
we'd do it. Richard's, you know, Richard's achievement is Richard's
achievement. And we have every right in the world to disagree with him
and we have every right in the world to try to go further than he. In
fact, we have every duty to do that. And if that offends Irving Howe
well that's just too bad for Irving Howe.
WARREN: How would you--did you feel about the--this is something in
the morning news or news Saturday, of the complicated tangle which you
have on the NAACP suit about construction, injunc-, the injunction, you
know, to stop construction in your state (??). By a strange series of
ironies the judge passes on, signs the rejection. He's a negro judge
00:52:00in the state supreme court.
BALDWIN: There are going to be lots more of those.
WARREN: Lots more of those. Uh, it was on, um, I gathered on technical
grounds.
BALDWIN: Um-hm.
WARREN: But it makes a strange, uh, situation doesn't it?
BALDWIN: Yes, but, um, not as--it doesn't seem as strange to me as it
might seem, you know, to you.
WARREN: I don't think it seems--
BALDWIN: --a judge--
WARREN: --strange to you or to me either.
BALDWIN: Yeah. Yeah.
WARREN: The man's a judge and--
BALDWIN: --he's a judge. A judge is a judge.
WARREN: -- (??) read the law.
BALDWIN: Yeah. That's right.
WARREN: But the psychological effects are--
BALDWIN: --oh, the psychological effects--
WARREN: --can go in many different directions.
BALDWIN: Yes, well--
WARREN: --speculating about those psychological effects for both negroes
and whites is what I'm confused about.
BALDWIN: Yeah. Well, that--that sort of keeps me awake at night. It's,
um, it's really the subject of a novel, which is very dimly, very you
know, in my head. I don't know what that--I really don't know what
that means. I just have to sort of beg off because that gets, that
00:53:00gets us into the whole realm of, oh, I don't know. Power, politics,
private lives of people and in--and it is also a fantastic assault on
the whole idea of race and the whole, the whole myth that negroes and
whites are different, you know.
WARREN: Well he's reading the law, presumably.
BALDWIN: And that's, and that's--
WARREN: --he's being honest--
BALDWIN: --what he has to do.
WARREN: That's what he has to do. But the people are going to call him
hard names for that.
BALDWIN: Of course, of course. But that's--
WARREN: --but he's (??) should.
BALDWIN: I think so, I think so, too, yes.
WARREN: (??)
BALDWIN: I think so, too.
WARREN: Or take the case in the Supreme Court where the de--descending,
descending Justices Black, and Douglas, and two others who, uh, were
out to protect, uh, uh, the present Governor Johnson of Mississippi
and, uh, old Ross Barnett.
BALDWIN: Um-hm.
WARREN: The Federal Court ballot, uh, being for the jury trial. You get
the four--
BALDWIN: --yeah--
WARREN: --doubting liberals--
BALDWIN: --the f--yeah--
WARREN: --who are on the legal technicality, uh, are trying to throw the
00:54:00case back into a Mississippi court, where we can predict the outcome.
BALDWIN: Yeah. Uh, I--rea--I know, I know what you are saying. I don't
know what, um, I don't--I don't know how we find our way out of this
labyrinth.
WARREN: Well, here's a sort of the same situation, just taking a quote
from, um, uh, Handlin again, the last book I've read, where forced
integration of a forced (??) he calls it. That is by bussing back,
by edict, by, by boards and things. Shifts by force, uh, any shift by
force to make racial balance threatens to reduce the individual to an
integer. Be shuffled about by any authority without reference to any
preferences. There may be circumstances under which this is necessary
but those who advocate it usually show no awareness that what this may,
00:55:00uh, that what this-- that this does not change the roots of prejudice
and, uh, or has, uh, other repercussions in principle--
BALDWIN: --yeah, yeah--
WARREN: --of law and society.
BALDWIN: Yeah. Well what it comes--what that comes to is that there are
going to be very dangerous moments in this, um, struggle which, which
one will have to avoid, if it's at all possible, creating a certain
very dangerous precedence.
WARREN: That's the idea.
BALDWIN: Yeah. That is--that is the mo---
WARREN: --well, good answer.
BALDWIN: Yes. That is the trickiest element I think about in the entire
revolution if that is what it is. Because one will have to and--one
has got to be reconciled I think in--under such stress to make to, to
do very dangerous things. And then try to prevent them from having the
repercussions that they might have. Ones got to undo a hundred years
work, you know, in a, in a very short time. And will have t-, it will
not be able to be done as tidily as one might wish. You s--
WARREN: --it won't be tidy.
BALDWIN: No.
WARREN: How do you--
BALDWIN: --I'm gonna have to go fairly soon--
WARREN: --well--
BALDWIN: --cause I'm getting a little, I'm still a little sick and I
00:56:00just should really get home.
WARREN: I'm sorry.
BALDWIN: Okay.
WARREN: Well, um, shall we, um.
BALDWIN: And I'm sorry--I'm sorry I have to say that.
WARREN: That's (??). Shall we knock it off on this tape?
BALDWIN: Yeah. Um-hm.
WARREN: All right. What is, let's take one question, we have a few, a
minute or two left. Uh, what is the responsibility of a negro as you
read it to, um, establish equality or justice? As you see, some of the,
some of the white man's responsibilities are glaringly apparent.
BALDWIN: Um-hm.
WARREN: What responsibilities does a negro have?
BALDWIN: Well, I think I can only answer that for myself cause I'm not
at all really sure I know what a negro is.
00:57:00
WARREN: Well, I mean--
BALDWIN: --you know--
WARREN: --rule of thumb--
BALDWIN: --you know, you know what I mean.
WARREN: Yeah, the rule of thumb sort of--
BALDWIN: --now, I suppose that I consider the responsibility to be
something like this to, um--I think one has to take upon oneself a very
hard responsibility which is, you know, something you do with the moral
of the young which is to do with a sense of their identity a sense
of their possible achievements, a sense of themselves and for this I
think one has to take upon oneself the necessity of trying to be an
example to them, you know. To prove, you know, to prove something by,
by your existence. And further than that I think one has to try to,
um, if one could get at the morale then a great many of the problems
would be min-, would be minimized. The problem for example of school
dropouts we were talking about before, the problems of delinquency,
the prob-- which are all the problems of despair and demoralization.
Then I suppose one has to say, do things like Jesse Gray is doing in
Harlem, which is to mobilize a people less in, less in order to attack
00:58:00the landlords really, as to give the negro people a sense of what they,
what they can do for themselves, which is the bottom reason as I read
it. The bottom purpose of the rent strike, because if one can bring
this off then there is several other things that one might be able to
think of doing. Part of the problem of being a negro in this country
is that one has been beaten so long and been helpless so long one tends
to think of oneself as being helpless. So I think that probably the
primary responsibility would be, I suppose, to convey to the people whom
one sort of helplessly represents the fact that they are not helpless.
And that they are not--and that if they are not helpless then they
must try to be responsible and to create a leadership out of these boys
and girls in the streets, which indeed is happening. They are doing
it themselves. I think it's our responsibility as their elders to, to
bear witness to them and to, um, to take risks with--to, to take their
risks with them. Because if they don't trust their elders then we're
in, then we're in trouble, the we're in great trouble, too. This is
00:59:00what it's, something like that is the way it looks to me.
WARREN: Well, I'm going to ask a question now that has--probably has no
answer, and I see some of the fuzziness of the question right away--how
many negroes read your books?
BALDWIN: (laughs) Well it's p--it's hard--
WARREN: (??) Southerners. How many Southerners read your books? You
know?
BALDWIN: Yeah, yeah.
WARREN: White Southerners.
BALDWIN: Yeah. It's, it's an impossible question to answer. But I
do know this, that my-- (coughs)--my brother who lives in Harlem says
that, that whores and junkies and people like that steal the books and
sell them in bars. Which is, I, there have been a lot of hot things
sold in Harlem bars but I've never heard of hot books being in sold in
Harlem bars before. So I gather that means something.
WARREN: Yes, that means something that means something. How do you feel
about audience? If this is a stupid question, which I know it, I think
01:00:00I know what most any writer feels about audience and writing.
BALDWIN: Well, you don't think of it, you know.
WARREN: That's what I mean.
BALDWIN: You just don't think of it, and--
WARREN: (??)
BALDWIN: You hope--
WARREN: -- (??)
BALDWIN: No, you just hope whatever you do finds its own audience.
WARREN: Yeah.
BALDWIN: And that may take a long, long time.
WARREN: I know you've got to go; I don't want to hang on to you.
BALDWIN: No, that's all right. No I, I wouldn't have to go except that
my sis--I, I've been a little sick and my sister's worried. And I, I
feel sort of shaky and I'd like to get going.
WARREN: Well, no, you should. There's no point in torturing you.
[Tape 2 ends.]
[End of interview.]